Working with Prue Chamberlain for Fiender, a night of new collaborations for the Enemies Project. Featuring Aase Berg & SJ Fowler, Harry Man & Anna Axfors, Elis Burrau & Holly Corfield Carr, Kathryn Maris & Patrick Mackie, Fabian Peake & Jeff Hilson, Nick Murray & Joe Turrent, Hannah Lowe & Richard Scott, Annie Katchinska & Mark Waldron, Molly Bergin & Russell Bennetts.
Rich Mix Centre, 35-47 Bethnal Green Rd, London E1 6LA
Very pleased to have two poems appear in Issue XXIII of online journal The Enchanting Verses. Guest edited by Harry Man, this issue features work by Karen McCarthy Woolf, Hannah Lowe, Bob Beagrie, Ana Brnardić, Les Wicks, Ella Chappell, Jon Stone, Holly Corfield Carr, Julia Rose Lewis, Abigail Perry, Matt Bryden, Seline Nwulu, Stephan Delbos, Sarah Hesketh, Rishi Dastidar, SJ Fowler, Simon Pomery, Sanjeev Sethi and Cia Renne. The journal also carries an account by Shruti Sareen of Adil Jussawalla and Ananya Guha’s case studies regarding children’s poetry in India.
My small contributions ‘Counting’ and ‘La Tour des Cèdres’ are available to read here.
Enjoyed writing a small piece for the latest HIX EROS, ‘an occasional reviews outburst’. This issue contains reviews and responses of, and responses to, the work of Roíbéard Csengeri, Ian Heames, Sophie Seita, Tammy Ho Lai-Ming, Frances Kruk, R.T.A. Parker, John Ashbery, Dorothy Lehane, Florence Uniacke, Rosa van Hensbergen, Jessica Johannesson Gaitán, Emilia Weber, Cheena Marie Lo, James Cummins, Prudence Chamberlain and Nisha Ramayya, as well as an essay by Eleanor Perry.
Thanks to editors Joe Luna, Jo Lindsay Walton and Jordan Savage, and to designer Robbie Dawson. Details of HIX EROS‘ associated publications and reading series HI ZERO can be found here; HIX EROS 7 can be downloaded here or by clicking the image above.
The bascule chamber is the large, brick-lined space that houses Tower Bridge’s huge counterweights. As the saying goes, festivals abhor a vaccuum: I am delighted to be working with composer Tom Wilson on a commissioned new work that will attempt to take full advantage of the bascule chamber’s unique acoustics. Inspired by the history of the Royal Menagerie at the nearby Tower of London, we are lucky enough to have the Ben See Group performing the finished work for the Totally Thames Festival, curated by Iain Chambers.
The piece will be performed as part of a great programme of contemporary music on both Sat 24thand Sun 25th Sept at these times: 11am, 1pm, 3pm, 5pm, 7pm, 9pm. Tickets can be bought here(but please do note performances are subject to change up to 24 hours before due to the working nature of Tower Bridge — some terms & conditions here.) A nice hat-tip from Time Out here, and from Sound and Music here.
Edit: Teasered in The Evening Standard and online at The Cusp‘s round-up for September!
This week sees the bookshop launch of An Unreliable Guide to London, the new anthology that ‘brings together 23 stories about the lesser-known parts of a world-renowned city’. With tales of the capital’s haunted taxidermy, wind nymphs in South Clapham tube station and sleeping clinics in Islington, I am delighted to have a piece nesting in its pages; not wanting to give too much away, purple and purpleness features heavily and featheredly.
Other authors include M John Harrison, Chloe Aridjis, Gary Budden, Yvvette Edwards, Courttia Newland, Will Wiles, Noo Saro-Wiwa, Nikesh Shukla, Juliet Jacques, Salena Godden, Stephen Thompson, Irenosen Okojie, Sunny Singh, Paul Ewen, Tim Burrows, George F., Gareth E. Rees, Aki Schilz, Tim Wells, Koye Oyedeji and Stephanie Victoire. If not spotted in the wild bookshelves of the outside, you can buy direct from the publishers Influx press here.
Edited to add: Chirpy nod in the East End Review, as well as generous mention in Time Out, Buzzfeed’s ’31 Incredible Books You Simply Must Read This Summer’ listicle(alongside Sarah Moss, Lauren Elkin, Dave Eggers and Eimar McBride!), as well as throughtful asides courtest of The Lonesome Reader blogger and the neverimitate site.
Image from the Guardian, by Noma Bar.
Thanks to Timothy Thornton and Verity Spott for collating responses to events of June 2016. Hosted by The Winter Olympics press, the document features writing spurred by the EU referendum result, so that ‘some of the writing in it directly reflects that result. Some too is still in mourning after the massacre in Orlando. Some may have nothing explicit to do with recent events; it was an open invitation to submit work. But that invitation was made right on the day of the result.’
I have a piece within its pages, alongside work by Rees Arnott-Davies, Ben Austwick, Frankie Basweld, cris cheek, Megan Clifton, Sam Cutting, Richard Dodwell, Caitlín Doherty, Emu Extraordinaire, Dominic Fox, Ben Graham, Rob Halpern, Caspar Jade Heinemann, Ben Hickman, Lisa Jayne, Antony John, Justin Katko, Laura Kilbride, Francesca Lisette, Ed Luker, Alex MacDonald, Sally Mercer, Kev Nickells, Ingrid Plum, Nat Raha, Daniel Spicer, Verity Spott, Rob Stanton, Kesh St Hewind, Keston Sutherland, Michael Tencer, Dolly Turing, Karl M V Waugh and Naomi Weber.
Links to a .pdf of collection can be found >> here <<, with instructions should one wish to print a booklet of the entries.
In addition, I am proud of my colleague Joanna Walsh at 3:AM Magazine for compiling this list of responses from various writers and practitioners.
Excuse me while I am sick in my children’s dream. — from Sutherland’s ‘June Pastoral’
I was very pleased to read at the launch of Hotel #1 at The Function Room on June 24th, appearing with fellow contributors Matthew Siegel, Will Eaves, Duncan White and a pre-recorded audio performance by Wayne Koestenbaum.
The first issue of Hotel features work by Will Eaves, Jon Auman, Duncan White, Tyler Malone, Jane Yeh, Erica Baum, Matthew Gregory and Jess Cotton, with many exciting ‘inhabitants’ scheduled for the next issue. My piece ‘The Alphabet’ pops up in there too. Many thanks to Tom, Dom, John and all at the editorial team; Hotel is available to buy from the ICA’s bookshop in London, the Arnolfini Centre for Contemporary Arts in Bristol and Brussels’ Wiels Contemporary Art Centre, or via the journal’s dedicated website.