Featured as part of Play! 2014, on 2nd June I exhibited some work pertaining to my thesis amongst Royal Holloway faculty and PhD students in the University’s Practice Gallery. This movable feast-apparatus exists to support ‘the presentation of practice-based research in the UK and beyond. In providing a new, cross-disciplinary platform for practice-based research investigations, the gallery aims to generate new dialogues, collaborations and interventions between academics as well as across academia and artistic communities’.

Practice-based Gallery

My theory and praxis (‘THEORY AND PRAXIS’!) always seems all the better for being unseen, because I am a fraud and a coward – the opportunity to account for my doctorate by filling a small backlit, bespoke frame with bloody feathers, anatomically-correct lies and  Loch Ness press-cuttings felt like only a good thing.


The gallery comprised 12  units of sculpted furniture (‘Alice’ [a social space, a bench to sit on, a stage and a series of frames], ‘A Capella’ [two shelves and two chairs, meant to invite users to listen to music and encounter objects. There are two mp3 players and a two pairs of headphones and a variety of shelf spaces] and ‘Continuum’ [four shelves meant to display objects, and one of the shelves houses a 22″ screen with DVD player]).

Parentheses, etc

Designed and built through a collaboration with Bartlett School of Architecture, my thanks to Nik Wakefield the curator for the opportunity, the Gallery’s designers and to my fellow space-mates Nisha Ramayya, Prue Chamberlain, Diana Damian Martin, Clare Booker, and Libby Worth & Julie Brixey-WilliamsStep Feather Stitch.

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